Rogoz Audio manufactures made-to-order audio furniture: audio stands, speaker stands, and anti-vibration platforms, as well as acoustic systems. Our offer is aimed primarily at audiophiles, music lovers, and music business professionals, as well as all those who appreciate high quality of sound and design.
A unique feature of our company is extreme flexibility. A regular price still allows for certain modifications, so in fact each product is manufactured on a made-to-order basis. You can choose, for example, the kind of an audio stand top you like, along with construction and design features to satisfy your individual needs. As a result, your furniture will be suitable for the size of your audio equipment, it will match the décor of the interior in which it is displayed, and it will reflect your personal taste.
Our ultimate goal is creating products eliminating interference between audio components to make it possible for every audio system to reach its maximum effectiveness so that the listeners can enjoy the best possible sound quality.
Rogoz Audio products have been appreciated by audio professionals as well as individual customers. Positive influence of Rogoz furniture on sound has been confirmed by audio test results ("Hi-Fi Choice" 7-8/2010,Audio 9/2010, "High Fidelity" 89/2011, "Hi-Fi Choice" 6/2010 – the audio stand tested ranked highest in all categories: sound, properties, construction and design, quality/price, as well as the best buy label).
To conclude our encounter with Rogoz Audio products, we have to admit that we have seen, or rather heard, for ourselves what seems obvious, and yet is often ignored by music lovers. Sometimes instead of investing endlessly in more and more expensive amplifiers, sources, or cables, it is worthwile to secure a solid base for your equipment and good room acoustics. [...] The resulting investment stays for many years to come, regardless of changes in the combination of audio components, and secondly, it ensures that your equipment, even extra heavy, is secure. Finally, there is less doubt why something does not sound quite like it did in the showroom or at a friend's place, for instance; now the cause will certainly not be room acoustics or an audio stand picking up floor vibrations.
("Hi-Fi Choice & Home Cinema" 7-8/2010)
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ROGOZ AUDIO ANTI-VIBRATION AUDIO PLATFORM VOLTA/BBS
The platform in the test >>tweaks<< the midrange the most. While the upper range is sweet with it and the low range is nice, somewhat soft, pleasant, the midrange seems to flourish. That's why Ellington's piano on the aforementioned CD was so neat with it, so ‘present,’ but it's also why the recordings of JEAN-MICHEL JARRE's electronic music included on a CD from the Houston and Lyon concerts sounded in a pleasant, malleable way. And malleability is an important category for this platform. It describes the sensation of three-dimensionality and smooth transitions between blocks of sound.
("High Fidelity", No. 209, October 2021)
[High Fidelity No. 185, October 2019]
(Positive Feedback, No. 93 September 2017)
ROGOZ AUDIO 3T1/BBS ANTI-VIBRATION PLATFORM FOR SPEAKER, SIGNAL, AND POWER CABLES
When the speaker cables were placed on the platforms, the sound became a bit tighter, closer and loaded. At the same time, my attention was drawn to inconspicuous elements present in many recordings, less noticeable without the platforms. The clarity and sonority of the trebles were also affected. When a piece was played that had some drums fun it in, both metal and wooden, their sound with cables on the platform was more sonorous, melodious and lighter, but not by being less loaded, but by resounding more easily. The better the recording and the more inconspicuous elements it contained, the better they were exposed by the 3T1/BBS.
["Hi-Fi Choice", nr 10/2016]
[High Fidelity No. 149, November 2016]
There was an improvement of the sound's purity and transparency, and a better detail retrieval and more colorful presentation were noticeable when the Vertere landed on this rack. This improvement was primarily a result of a “blacker” background, or in other words of the lower background noise level, which is difficult to notice itself but impacts our perception of music. With both turntables on top of Rogoz I tried thumping and jumping around the rack to check whether or not it would influence playback. It didn't, which proved a good isolation from even significant vibrations this rack provided. I did a test with two tube preamplifiers too - my ModWright LS100 and Air Tight ATC-2. Placing them on 5SMX12/BBS shelves resulted on one hand with deepened saturation of sound that seemed even more natural, organic, on the other hand improved control and precision of presentation.
It is also very interesting how the shaping of the attack changes. Without the stabilizers, the sound is a little drier (this is less marked "personal" acoustics), and it is also less clear and seems softer. Normally it would be an advantage, as natural sound is not contoured and we do not pay attention to the attack – it is there and that’s it. However, here it is related to something a little different. Better defined sound with the stabilizers is more natural and it is not contoured at all. I would say that it is less fuzzy.
The stabilizers make sound become deeper and more gentle. I think that it is about much better reproduction of small signals responsible for the attack and sound finish, as well as about the acoustic surroundings closest to the instruments. It can be heard as an addition of perspective and life to the sound. The former results from better saturation with little details. The sound seems deeper and a bit heavier. However, the effect of weighing down does not result from adding bass, but from greater naturalness of sound. We obtain very similar effects when a device is characterized by low distortion.
After a while, we realised that this was because of the improved subtlety of reverbs, which were not cut off so quickly. The music acquired smoothness and colour, and, even though it seems contradictory, became even more detailed. Apart from the improvements in the colour, the music scene also expanded. The level of detail in locating the musicians within the scene remained similar, but the surrounding area seems to have grown bigger.
To sum up, the Rogoz Audio 3RP1/BBS platform performed spectacularly in both directions during the test. And there's no indulgence at all in this opinion, it was just perfect. I frankly admit, I had not expected that. I have nothing more to say other than that I'm all for the platform. The Rogoz platform, that is. The only thing left for me is to negotiate – maybe they'll let me keep it longer, of course for promotional purposes. That quite unlikely, but hey, a man can hope.
("HiFi Philosophy", 10/03/2015)
(Positive Feedback, No. 125 November/December 2014)
HIGH FIDELITY AWARD
"RED Fingerprint award is given throughout the year to products which made an especially powerful impression on their reviewers. Unlike the Best Sound award, which is given by the whole editorial team, Red Fingerprint is a reviewer’s personal award not only to prove that the product is of topmost quality (a prerequisite for the award), but also to appreciate his personal encounter with it. The award is not common, there is one for every fifteen reviews. It is symbolized by a red thumb print, indicating that a High Fidelity reviewer has given the particular product his imprimatur."
This is the first anti-vibration platform, perhaps excepting Finite Elemente Pagode Edition HD-09, whose timbre was characterized by greater density and whose center of mass was located lower than in the pneumatic platform from Japan, which is my reference. Others, even the best ones, brightened the sound, thinning out the midrange to a lesser or greater degree. Those with top-notch construction design offered specific benefits such as enhanced selectivity and stronger attack, and as a result made the sound more open and dynamic. These are all good things. However, I always used to have a feeling that there was something missing. That feeling would soon pass, only to be replaced by curiosity and respect for the designers, but my awareness of it was still there. This time, respect was accompanied by the feeling of fulfillment. It was as if I had spotted a large piece of amber - on a beach, amongst tangled seaweed – emanating warm light.
("High Fidelity", nr 125/2014)
KONKURS 10/10
SPRZĘT, LUDZIE, WYGRANE
Each instrument and each sound seemed to be finer, more prominent and more polished. All of it sounded more exquisite. Consequently, the scene between the speakers deepened and it was possible to define the apparent sound sources with greater precision. [...] The bass became faster and more precise, and the highest tones seemed more polished. In terms of the overall effect, the scene and precision improved.
(High Fidelity, nr 10/10 2014)
W dźwięku było więcej energii, znakomicie kontrolowanej, zogniskowanej we właściwych elementach. Poprawiła się szybkość ataku, uderzenie, dynamika. Bas stał się nieco bardziej konturowy, jakby czystszy, co z kolei prowadziło do jego lepszego zróżnicowania. Innym elementem, świadczącym o tym, że stolik znakomicie spełniał swoje zadanie, była dalsza poprawa w zakresie tzw. czarnego tła. [...] Kolejna zmianę zarejestrowałem w aspekcie przestrzenności prezentacji oraz trójwymiarowości źródeł pozornych. Podobnie jak w pozostałych kwestiach, tak i co do tych nie miałem do tej pory żadnych zastrzeżeń i wydawało mi się, że wiele w tym zakresie zrobić się już nie da. A jednak poprawa była zauważalna - nawet bardziej w kwestii precyzyjniejszego umiejscawiania każdego ze źródeł dźwięku na scenie i jego namacalności, lepszej definicji w sensie obrysu i wymiarów niż znaczącej zmiany wielkości sceny, choć i ta wydawała się nieco głębsza.
("Hi-Fi Choice", nr 05/2014)
Regardless of the loudness level, the stand has a tremendous impact on the stereophonic sound, which suddenly becomes extremely accurate. [...] The most spectacular effect is achieved for the bass. [...] Although the invoked sound of thunder is an example outside of music, high speed is still necessary to provide real resemblance of the sound of the drums, as this is a typically transient and it is this transience of sound that is vastly improved with the Rogoz stand. [...] The Rogoz Audio stand provides unexpectedly significant improvement of a sound system quality.
("Audio Video" 7-8/2013)
The sound has better structure, it is more focused and generally all these effects contribute to a more genuine, convincing musical presentation.
("Hi-Fi Choice", nr 03/2013)
An excellent product and a long term affair buy, on a par with more expensive imported counterparts. Outstanding, solid design and definitely positive influence on the sound.
(“The Best Buy” title holder)
("Hi-Fi Choice", nr 06/2010)
It profoundly improves sound quality and looks very smart. It might actually play an additional function of a decorative piece to improve the decor of the listening room.
(“Editor’s Choice” title holder)
("Hi-Fi Choice", nr 07/2010)
Low tones seem to benefit the most from placing monitor speakers on Rogoz Audio 4QB80 stands, as it is these tones that acquire greater mass, power and clearer dimension. They are more robust, faster, and better defined – lowered and deepened.
(„Stereo i kolorowo”, 31 sierpnia 2014)
What improved in particular was the sound energy. Perhaps that is why I had an impression of abundance of everything – both high and low frequencies, mass and space. The sound grew and became more refined.
("6moons.com”, August 2013)
What improved in particular was the sound energy. Perhaps that is why I had an impression of abundance of everything – both high and low frequencies, mass and space. The sound grew and became more refined.
("High Fidelity", nr 111/2013)
With CPPB16 the sound is well balanced, with no trace of warming or recessed highs. Resolution improves significantly. After moving our reference CD player, and then the amplifier, from a marble platform on to the steel Rogoz Audio CPPB, the number of details increased dramatically and the sound became more open and vivid. The vibes and hi-hats in MJQ recordings left us breathless with their dynamic impact and rhythmic punch.
("Audio", 9/2010)
Rogoz Audio platform 3SG40 helps restore the right tempo, proportions and tonal balance – not just to some extent, but significantly.
("High Fidelity", nr 89/2011)
